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KAZE

Not a Project, but a Quiet Experiment For four years, he worked with a small team of artisans in Jiangsu, China — without marketing, without announcements.

Every initial cue was fully handcrafted — from wood selection and seasoning to layering, and pressing the grains.

• Each butt had to feature the exact double-helix grain pattern and correct stone-rattling ratio — any deviation meant rejection.
• No decals or printed veneers — all patterns were real inlaid wood, precision-cut and hand-fitted. Some months, the workshop completed only two cues.

When the first ten cues were completed, he didn’t engrave a logo or name. He simply enclosed a handwritten note: “If this cue feels right for you, then it was made for you. I don’t sell cues — I share a feeling. When a player picks it up and feels a connection, the cue has fulfilled its purpose.”

Signed: 風匠 – The Wind Craftsman.

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